Mousse #31

Starring by Antonio Scoccimarro Jonathas De Andrade The Advantage of Being Numb by Stuart Comer Chantal Akerman No Idolatry and Loosing Everything that Made You a Slave by Elisabeth Lebovici Akram Zaatari The Political Is Personal by Alessandro Rabottini Talking About To Show or Not To Show by Jens Hoffmann and Maria Lind Sadie Benning Transitory States by Tina Kukielski Reprint So Be It by Nicolás Guagnini Sean Landers No Intention To Fail by Beatrix Ruf Talking About Progress Is Everyone’s Business by Chelsea Haines Nice to Meet You - Trisha Baga Hands-on by Esperanza Rosales Nice to Meet You - Erick Beltrán Some Fundamental Postulates by Max Andrews Nice to Meet You - Eduardo Basualdo Logic of the Body by Cecilia Alemani Agenda Books by Stefano Cernuschi Ten Fundamental Questions of Curating Chapter 7:What About Collecting? by Jens Hoffmann, Sofía Hernández, Chong Cuy, visuals by Mario Garcia Torres New York - Lucy Raven Anamorphic Materialism by Fionn Meade Los Angeles - Liz Glynn The Rise and Fall of Liz Glynn by Andrew Berardini London - Ian Law One Place After Another by Pavel Pys´ Berlin - Dani Gal History Channel by Ana Teixeira Pinto Paris - Neïl Beloufa All Is Magic by Jarrett Gregory Diary by Antonio Scoccimarro Lost & Found Scrutinize, Interrogate, Scrape. Gianikian and Ricci Lucchi Explore Without Surrendering to History by Andrea Lissoni Talking About The Cinema as a Wayward Form... by Christopher Eamon Ian Wilson There was a discussion... by Hans Ulrich Obrist What's Alternative? Alternative to What? Anthony Huberman and Yasmil Raymond by Vincenzo de Bellis Hank Willis Thomas I Am. Amen by Luigi Fassi Talking About The Publishing & Exhibiting Questionnaire by Francesco Garutti and Francesco Valtolina Edward Kienholz A marvellously vulgar artist! by Anja Nathan-Dorn  

Mousse #30

Starring by Federico Florian, Antonio Scoccimarro Geoffrey Farmer Characters and Characteristics of the Work by Monika Szewczyk Talking About Is That All There Is to a Circus? by Dieter Roelstraete Phyllida Barlow The Work Is Never Finished by Nicholas Cullinan Part of the Process - David Levine Rothko’s Ruins by Ana Teixeira Pinto Talking About Criticism Hurts by Jan Verwoert Portfolio - George Kuchar Carnivalesque George Kuchar by Juan A. Suárez Lost and Found - Llyn Foulkes The Lost Frontier: Llyn Foulkes by Andrew Berardini Talking About Melete (“The Society Islands”) by Mark von Schlegell Nice to Meet You - Dan Finsel Art Therapy by Cecilia Alemani Nice to Meet You - Ben Schumacher Things That Look Like Other Things by Bob Nickas Nice to Meet You - John Henderson Absorption & Theatricality by Barbara Casavecchia Nice to Meet You - Wu Tsang Wu Tsang: Body Quotations, Back-Breaking Sparkle and the Dissemination of Wildness by Kevin McGarry Ten Fundamental Questions of Curating Chapter 6: What Is an Exhibition? by Elena Filipovic, visual concept by Nairy Baghramian Talking About A New Fruit by Nick Currie London - Cally Spooner The Wor(l)d Is a Stage by Michele Robecchi Paris - Jonathan Binet The Way Things Go: a Conversation with Jonathan Binet by Vincent Honoré New York - Tim Rollins & Julie Ault Shakers Berlin Starship by Gigiotto Del Vecchio Artist Project - Lutz Bacher The Gift by Fionn Meade Enrico David & Thomas Houseago I’m Fucked Out of Your Mind Alison Knowles The Future Will Be Fragrant Bean Fields by Hans Ulrich Obrist Reprint Time Warp by Rob Giampietro Talking About As Little Time on The Ground as Possible. First Attempt on the Possibility of Artistic Significance Beyond Philosophy of History by Chus Martínez Books by Stefano Cernuschi Diary What’s Alternative? Alternative to What? - Andrea Fraser "Alternative to what, exactly?" by Vincenzo de Bellis Tamar Guimarães A Strange Ritual by Andrea Lissoni Talking About Moving Gods Aside by Philippe Pirotte Jessica Warboys Waves Wave by Emilie Renard  

Mousse #28

Starring by Antonio Scoccimarro Hark! Does Art Have a Second Life Online? by Jennifer Allen Art Schools, the Internet, and the Violin-playing Mermaids by Tony Conrad and John Miller Thomas Schütte Reality Production by Hans Ulrich Obrist Ben Rivers Into the Wild by Ed Halter Talking About Letter To a Blind Man by Dieter Roelstraete Manon De Boer The Human Voice by Raimundas Malašauskas Gabriel Sierra Customized by Ruba Katrib Artist Project Eva Rothschild Ten Fundamental Questions of Curating Why Mediate Art? by Maria Lind / edited by Jens Hoffmann / artwork by Marysia Lewandowska NEW YORK / Sung Hwan Kim Some Stories in a Room by Anthony Huberman LOS ANGELES / Kathryn Andrews Party Favors: The Work of Kathryn Andrews by Andrew Berardini LONDON / James Richards Off-demonstration by Isla Leaver-Yap PARIS / France Fiction On Collective Writing: France Fiction by Vincent Honoré BERLIN / Gernot Wieland Reference and Experience by Gigiotto Del Vecchio Nine Questions to Yorgos Sapountzis by Francesca Boenzi Rob Johannesma Echoing the History of Painting by Luigi Fassi Mike Nelson Reinvestigations by Andrea Viliani REPRINT How Do You Deal with Ass Wigglers? by K8 Hardy Helen Marten Show Hidden Characters by Matias Faldbakken NICE TO MEET YOU / Tobias Kaspar Sentimental Style by Axel Wieder Books by Stefano Cernuschi Diary by Antonio Scoccimarro Javier Téllez The Cabinet of Dr. Téllez by Ana Teixeira Pinto PORTFOLIO / Morag Keil With a Little Help from my Friends by John Harrington Fredrik Værslev Finishing Touches by Esperanza Rosales  

Peep Hole Sheet #8 - Karl Holmqvist- A Trip to Tangier

Peep-Hole Sheet is a quarterly of writings by artists.
Each issue is dedicated solely to one artist, who is invited to contribute with an unpublished text. The texts are published in their original language, with accompanying translations in English and Italian. All images are deliberately avoided.
Over time it aspires to build up an anthology of writings that might open new perspectives for interpreting and understanding our times.

Mousse #27

Dan Graham From Magazines to Architecture by Ute Meta Bauer - William Leavitt Cutaway View by An interview by Hans Ulrich Obrist and Stuart Comer, with an introduction by John Baldessari - PART OF THE PROCESS Sven Augustijnen What a Day For a Daydream by Ronald Van de Sompel - TALKING ABOUT The Art of Worldly Wisdom
Dancing and singing after collapse by Chus Martínez - PORTFOLIO Taylor Made Zin Taylor and the Story of Form by Dieter Roelstraete - Brian Bress Memoirs of Ourselves
Watching TV:
The Disconcertingly Real Work of Brian Bress by Andrew Berardini - Abraham Cruzvillegas Leave It Suspended Indefinitely by Vincenzo de Bellis - HARK! Eight Days A Week by Jennifer Allen - ARTIST PROJECT Jeremy Deller by Peter Eleey - TEN FUNDAMENTAL QUESTIONS OF CURATING Chapter 3: WHAT TO DO WITH THE CONTEMPORARY? João Ribas Illustrations by Matthew Buckingham by edited by Jens Hoffmann - PARIS – Pierre Huyghe Metabolism and the Material of Narration by Vincent Honoré - LONDON Beatrice Gibson The Geometry of Sound by Isla Leaver-Yap - BERLIN Maximilian Zentz Zlomovitz Long Live the New Flesh by Gigiotto Del Vecchio - NEW YORK Karthik Pandian Architecture, Archaeology and the Solar Unconscious by Cecilia Alemani - LOS ANGELES Brian Kennon Spread the Word by Jonathan Griffin - James Coleman Staging Television: James Coleman’s So Different... and Yet by Maeve Connolly - LOST & FOUND Giuseppe Chiari: the totality of sound by Elena Volpato - NICE TO MEET YOU Zarouhie Abdalian Landscape as Material by Jens Hoffmann - REPRINT “I can still tell the difference
between pine and oak, maple
and birch, just by the smell” by Wilfried Huet - TALKING ABOUT Some Provisional Reflections
on Withdrawal by Chris Sharp - Stephen Willats Art Society Feedback by Emily Pethick - ARTIST PROJECT James Coleman - Lara Favaretto Why Another Work? by Lara Favaretto and Francesco Garutti - DIARY by Antonio Scoccimarro - BOOKS by Stefano Cernuschi - Sister Corita All Must Fit Together by Sarah Lehrer-Graiwer - Gareth Moore Deferred Interview by Adam Carr  

Peep Hole Sheet #7 - Pavel Büchler - Notes from the Bottom of a Bag

Peep-Hole Sheet is a quarterly of writings by artists.
Each issue is dedicated solely to one artist, who is invited to contribute with an unpublished text. The texts are published in their original language, with accompanying translations in English and Italian. All images are deliberately avoided.
Over time it aspires to build up an anthology of writings that might open new perspectives for interpreting and understanding our times.

Mousse #26

Starring by Antonio Scoccimarro - Talking About What Will Last? Some Thoughts On Duration In the Age Of Contemporaneity by Stefan Heidenreich - Talking About If Money Talks, What Language Does It Speak? by Jimmie Durham - Nick Relph A History of Tartan by Kirsty Bell- Moyra Davey Reading Is Writing by Gigiotto Del Vecchio - Talking About Critical Mess: On the Ruins of The Museum’s Research Departments by Dieter Roelstraete - Part of the Process – Guillermo Faivovich & Nicolás Goldberg - A Guide to Campo del Cielo by Johan Lundh - Laure Prouvost The Floor Is Slippery... Is There Anything We Can Hold Onto Here? by Francesco Pedraglio - Jakob Schillinger Ghost Train of Marx by Portfolio – Chto Delat? - Běla Kolářová Velvet Revolution by Alice Motard - Artist Project Leonor Antunes - Ten Fundamental Questions of Curating Chapter 2: How About Pleasure? by Dieter Roelstraete – Edited by Jens Hoffmann, illustrations by Pierre Bismuth - Los Angeles – Frances Stark The Letter Writer, Frances Stark by Andrew Berardini - New York – Uri Aran I Believe In Mimicry by Cecilia Alemani - Paris Unpreaching to the Choir by Dorothée Dupuis - Berlin – Willem De Rooij Becoming Abstract by Heike-Karin Föll - London – Ed Atkins Hauntology by Alli Beddoes Lost & Found – Marta Minujin El Día Que Me Quieras by Jens Hoffmann - Skeletons In The Closet John Stezaker by Barbara Casavecchia, photos by Thierry Bal - Reprint Like a Dog Makes Its Hole, Like a Rat Makes His Den by Christoph Keller - Nice To Meet You J. Parker Valentine by Laura Fried - Talking About After Images by Fionn Meade - Ken Okiishi Neverland by David Lewis - HARK! From Media to New Media by Jennifer Allen - Diary by Antonio Scoccimarro -Pratchaya Phingtong Don't Tell His Mother About This by Raimundas Malašauskas - Curator’s Corner Palpable Distance by Mihnea Mircan – Edited By Andrea Viliani

Peep Hole Sheet #6 - Matias Faldbakken - The the Situation Situation

Unpublished text by Norwegian artist Matias Faldbakken

Peep-Hole Sheet is a quarterly of writings by artists.
Each issue is dedicated solely to one artist, who is invited to contribute with an unpublished text. The texts are published in their original language, with accompanying translations in English and Italian. All images are deliberately avoided.
Over time it aspires to build up an anthology of writings that might open new perspectives for interpreting and understanding our times.

Peep Hole Sheet #5 - Massimo Grimaldi - Snowblind

Unpublished text by Italian artist Massimo Grimaldi

Peep-Hole Sheet is a quarterly of writings by artists.
Each issue is dedicated solely to one artist, who is invited to contribute with an unpublished text. The texts are published in their original language, with accompanying translations in English and Italian. All images are deliberately avoided.
Over time it aspires to build up an anthology of writings that might open new perspectives for interpreting and understanding our times.

Peep Hole Sheet #4 - Jonathan Horowitz - This Is This

Unpublished text by American artist Johanthan Horowitz

Peep-Hole Sheet is a quarterly of writings by artists.
Each issue is dedicated solely to one artist, who is invited to contribute with an unpublished text. The texts are published in their original language, with accompanying translations in English and Italian. All images are deliberately avoided.
Over time it aspires to build up an anthology of writings that might open new perspectives for interpreting and understanding our times.

Mousse #22

In this issue: Aesthetics and the Subject, m) Pawel Althamer, j) Animals in Art, Yael Bartana, e) Erica Baum, Neil Beloufa, Juliette Blightman, Etienne Chambaud, Danilo Correale, Guy de Cointet, b) Ida Eklad, F) Isa Genzken, John Gerrard, k) Manuel Graf, Judith Hopf, i) Alex Hubbard, d) Lars Laumann, I) Rashaad Newsome, h) Kelly Nipper, a) Postcolonialism in Video, Stephen Prina, g) Stephen Sutcliffe, c) Phillip Warnell, Staurt Bailey on Gabriel Zaid

Peep Hole Sheet #3 - Dora García- This Is This

Unpublished text by Spanish artist Dora García

Peep-Hole Sheet is a quarterly of writings by artists.
Each issue is dedicated solely to one artist, who is invited to contribute with an unpublished text. The texts are published in their original language, with accompanying translations in English and Italian. All images are deliberately avoided.
Over time it aspires to build up an anthology of writings that might open new perspectives for interpreting and understanding our times.

Peep Hole Sheet #2 - John Miller - The Ruin of Exchange

Unpublished text by American artist John Miller
This edition has been generously supported by Kunsthalle Zürich

Peep-Hole Sheet is a quarterly of writings by artists.
Each issue is dedicated solely to one artist, who is invited to contribute with an unpublished text. The texts are published in their original language, with accompanying translations in English and Italian. All images are deliberately avoided.
Over time it aspires to build up an anthology of writings that might open new perspectives for interpreting and understanding our times.

Peep Hole Sheet #1 - Liam Gillick- Stories

Unpublished text by American artist Liam Gillick

Peep-Hole Sheet is a quarterly of writings by artists.
Each issue is dedicated solely to one artist, who is invited to contribute with an unpublished text. The texts are published in their original language, with accompanying translations in English and Italian. All images are deliberately avoided.
Over time it aspires to build up an anthology of writings that might open new perspectives for interpreting and understanding our times.