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| Brian Kennon |
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| 2nd
Cannons Publications 023 2011, 1st printing, edition of 500. 7 x 5.5" 84 pages $18.00 |
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Brian Kennon Authored in 2007 as part of Kennon's exhibition "Long Live Rock 'N' Roll/Richard Hawkins Decapitated Head" at Daniel Hug gallery in Los Angeles, Forest is a three volume set that reprints two bodies of work (Hawkins' and Martin's) and accompanies them with a third volume. The publication of Forest caps off a series of works (2005-2007) in which Kennon uses the theme of the forest, as understood through the aesthetics of Metal, to suggest a parallel context for Richard Hawkins' Disembodied Zombie works. The three books are: Forest, a book of forest images collected from the internet; Richard Hawkins, Disembodied Zombies, 1997, a catalog of 7 digital works of severed, floating heads by Richard Hawkins; and Agnes Martin Untitled #1-10, 1990 which reprints a suite of 10 grid-based drawings by Agnes Martin. The deluxe edition of Forest is printed with a different color on the sleeve. Signed/numbered edition of 10. $100. Contact orders@2ndcannons.com for more info. |
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| 2nd
Cannons Publications 020 2010, 1st printing, edition of 500. 3 books. 8.5 x 8.5" 73 pages $35.00 |
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Darren Bader, Brian Kennon, Chris Lipomi .A 3 person artists' book made on the occasion of Kennon and Lipomi's 2 person show at Mesler&Hug in New York. She Has a Hot Ass combines an assembly of the magazine spreads that generated Kennon's photographs and prints for the exhibtion, digitally produced collages that run parallel to Lipomi's paintings and additional texts and images by Bader. Images from the exhibition here. A signed/numbered edition of 10 also available for $150. Contact orders@2ndcannons.com for more info. |
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| 2nd
Cannons Publications 017
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Untitled (Remember the Freakscene), 2008 Brian Kennon |
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Silkscreen, 22x17” |
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contact us at orders@2ndcannons.com for purchase |
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Jan Tumlir and Brian Kennon A collaboration between Jan Tumlir and Brian Kennon and a "prelude catalog" to Tumlir's exhibition of the same name, Desertshore begins with the image from the cover of the Nico album (also a film still from La Circatrice Interieure by Philippe Garrel) to then find a path on/through works from the late 60's - 70's that commonly trip out from the city center and travel to the pasts and futures of desert and space. Moving through Robert Smithson, Ed Ruscha, Bas Jan Ader, Stanley Kubrick's 2001, Alejandro Jodorowsky's El Topo,and Pink Floyd, the book ends with a re-telling of the final sequence of Michelangelo Antonioni's Zabriskie Point.
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| 2nd
Cannons Publications 013
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Leisure: An Art Journal: Issue #0 Leisure: An Art Journal delays it's first issue by instead publishing Issue #0, a questionnaire. In issue #0 artists, writers, and gallerists were questioned regarding the nature of radness and artistic production. Participants are: Evan Holloway, Bruce Hainley, Lawrence Weiner, Michael Smith, Bruce LaBruce, Darren Bader, Mayo Thompson, AA Bronson, Jess Holzworth, Corrina Peipon, Brian Bress, Julie Lequin, Meg Cranston, Natascha Sofia Snellman, Monique Prieto, TRUDI, Drew Heitzler, Elk, Christopher Russell, Tom Allen, Catherine Taft, Betty Tompkins, Kathe Burkhart, Michael Ned Holte, Paddy Johnson, Ami Tallman, Daniel Hug, and lastly, Jason Meadows (whose answers we found insulting). Limited edition print available. |
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| 2nd
Cannons Publications 006 |
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Brian Kennon Finally, a Ramones shirt for hessians! Hand printed by Trudi. |
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in S, M, L, XL. |
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Brian Kennon Untitled #1, 2006 begins and ends with reprinted catalog images of Mike Kelley's sculpture Silver Ball and Albert Oehlen's painting Bäume -- two works that imagine a kind of lo-fi fantasy landscape -- and uses detail crops and photographs to generate new images and associations as it travels between the two works. Deluxe edition includes archival inkjet print. |
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| 2nd
Cannons Publications 005
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Brian Kennon An extension of the much larger three volume Hello Victims book, Hello Victims: Ad Reinhardt presents Reinhardt's black paintings within the context of the equally apocalyptic lenses of Motorhead, Nuclear War and Zombie films.
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| 2nd Cannons
Publications 003 2005, 1st printing, edition of 100, 7.25 x 7.25" 43 pages. 32 illus. $24.00 |
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Natascha Snellman A collection of 14 casual interviews with fellow artists about their practices, habits, interests, and influences along with reproductions of recent work. Interviewees include: Ami Tallman, Sue De Beer, Sterling Ruby, Ashley Macomber, Gus Van Sant, Brian Kennon, Nina Bovasso, and Kevin Christy.
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| 2nd Cannons
Publications 002 2006, 1st printing, edition of 500. 8 x 5.5" 122 pages, 30 illus. $22.00 |
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Good BoyBrian Kennon A collection of dissected and altered Christopher Wool paintings, remade into Misfits song titles, Minutemen song lyrics and other paintings Christopher Wool never made, but we think he should have.
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| self published 2005, 1st printing, edition of 25. 6 x 4.5", 29 pages. |
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The Cindy Shermans I'd Like to FuckBrian Kennon Sherman’s photographs of phantom female identities are appropriated and reorganized into 7 chapters based on the sex drive of the book’s author. Removed from their more traditional manner of organization (Untitled Film Stills, Centerfolds, History Portraits, etc.) The Cindy Shermans I’d Like to Fuck does little to shed light onto the development of Sherman’s body of work, instead the author uses Sherman’s myriad of self-portraits to create his own form of self-portrait (or at least a portrait of his libido.)
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| self published 2003,1st printing, edition of 250. 9 x 8", 82 pages. |
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Black and White Reproductions of the Abstract Expressionists Brian Kennon The entire body work of by the Abstract Expressionists is reduced down into a canon of 13 paintings by 13 artists, then reduced even further by being reproduced in black and white (with the paintings true colors indexed neatly around the edges).
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| self published 2002, 8.5 x 7.5" 27 pages. $22.00 |
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