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| Brian Kennon | |||
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Darren Bader, Brian Kennon, Chris Lipomi .A 3 person artists' book made on the occasion of Kennon and Lipomi's 2 person show at Mesler&Hug in New York. She Has a Hot Ass combines an assembly of the magazine spreads that generated Kennon's photographs and prints for the exhibtion, digitally produced collages that run parallel to Lipomi's paintings and additional texts and images by Bader. Images from the exhibition here. A signed/numbered edition of 10 also available for $150. Contact orders@2ndcannons.com for more info. |
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| 2nd
Cannons Publications 017
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Untitled (Remember the Freakscene), 2008 Brian Kennon |
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Silkscreen, 22x17” |
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contact us at orders@2ndcannons.com for purchase |
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Jan Tumlir and Brian Kennon A collaboration between Jan Tumlir and Brian Kennon and a "prelude catalog" to Tumlir's exhibition of the same name, Desertshore begins with the image from the cover of the Nico album (also a film still from La Circatrice Interieure by Philippe Garrel) to then find a path on/through works from the late 60's - 70's that commonly trip out from the city center and travel to the pasts and futures of desert and space. Moving through Robert Smithson, Ed Ruscha, Bas Jan Ader, Stanley Kubrick's 2001, Alejandro Jodorowsky's El Topo,and Pink Floyd, the book ends with a re-telling of the final sequence of Michelangelo Antonioni's Zabriskie Point.
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| 2nd
Cannons Publications 013
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Leisure: An Art Journal: Issue #0 Leisure: An Art Journal delays it's first issue by instead publishing Issue #0, a questionnaire. In issue #0 artists, writers, and gallerists were questioned regarding the nature of radness and artistic production. Participants are: Evan Holloway, Bruce Hainley, Lawrence Weiner, Michael Smith, Bruce LaBruce, Darren Bader, Mayo Thompson, AA Bronson, Jess Holzworth, Corrina Peipon, Brian Bress, Julie Lequin, Meg Cranston, Natascha Sofia Snellman, Monique Prieto, TRUDI, Drew Heitzler, Elk, Christopher Russell, Tom Allen, Catherine Taft, Betty Tompkins, Kathe Burkhart, Michael Ned Holte, Paddy Johnson, Ami Tallman, Daniel Hug, and lastly, Jason Meadows (whose answers we found insulting). Limited edition print available. |
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| 2nd
Cannons Publications 006 |
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Brian Kennon Finally, a Ramones shirt for hessians! Hand printed by Trudi. |
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in S, M, L, XL. |
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Brian Kennon The first in an ongoing series of untitled books, Untitled #1, 2006 starts by taking a close look at Mike Kelley's "Silver Ball" from 1994 and ends deep in the forest of Albert Oehlen's, "Baume," 2004. Deluxe edition includes archival inkjet print. |
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| 2nd
Cannons Publications 005
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Brian Kennon An extension of the much larger (and soon to be published) three volume Hello Victims book, Hello Victims: Ad Reinhardt presents Reinhardt's black paintings within the context of the equally apocalyptic lenses of Motorhead, Nuclear War and Zombie films. 2nd Cannons Publications 003 |
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| 2005, 1st printing, edition of 100, 7.25 x 7.25" 43 pages. 32 illus. $24.00 | Out of Print Signed/numbered edition of 10 available. $150. Contact orders@2ndcannons.com for more info |
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Natascha Snellman A collection of 14 casual interviews with fellow artists about their practices, habits, interests, and influences along with reproductions of recent work. Interviewees include: Ami Tallman, Sue De Beer, Sterling Ruby, Ashley Macomber, Gus Van Sant, Brian Kennon, Nina Bovasso, and Kevin Christy. 2nd Cannons Publications 002 |
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| 2006, 1st printing, edition of 500. 8 x 5.5" 122 pages, 30 illus. $22.00 | ||
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Good BoyBrian Kennon A collection of dissected and altered Christopher Wool paintings, remade into Misfits song titles, Minutemen song lyrics and other paintings Christopher Wool never made, but we think he should have. self published |
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| 2005, 1st printing, edition of 25. 6 x 4.5", 29 pages. | Out of Print | |
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The Cindy Shermans I'd Like to FuckBrian Kennon Sherman’s photographs of phantom female identities are appropriated and reorganized into 7 chapters based on the sex drive of the book’s author. Removed from their more traditional manner of organization (Untitled Film Stills, Centerfolds, History Portraits, etc.) The Cindy Shermans I’d Like to Fuck does little to shed light onto the development of Sherman’s body of work, instead the author uses Sherman’s myriad of self-portraits to create his own form of self-portrait (or at least a portrait of his libido.)self published |
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| 2003,1st printing, edition of 250. 9 x 8", 82 pages. | Out of Print | |
| Signed copes available. Contact orders@2ndcannons.com for more info | ||
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Black and White Reproductions of the Abstract Expressionists Brian Kennon The entire body work of by the Abstract Expressionists is reduced down into a canon of 13 paintings by 13 artists, then reduced even further by being reproduced in black and white (with the paintings true colors indexed neatly around the edges). self published |
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| 2002, 8.5 x 7.5" 27 pages. $22.00 | ||